tag:blogger.com,1999:blog-34444233922015507842024-03-13T12:06:20.675+00:00Ceramics NetworkSharing knowledge, exchanging news & understanding ceramic collectionsCeramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comBlogger62125tag:blogger.com,1999:blog-3444423392201550784.post-82952886015464512452015-08-13T15:50:00.000+01:002015-08-13T15:50:26.004+01:00VACANCY: Curator with specialism in decorative arts,Temple Newsam House, LeedsFor details of this vacancy with Leeds City Council please click <a href="https://jobs.leeds.gov.uk/city-development-city-development-curator/17290.job">HERE</a><br />
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-80927269094139205802015-08-02T13:25:00.000+01:002015-08-02T13:25:44.641+01:00VACANCY: Collections & Curatorial Services Officer at Wedgwood Museum, Barlaston, Stoke-on-Trent<div class="MsoNormal">
<span style="font-family: inherit;">The V&A are
assisting with the recruitment of a Collections and Curatorial Services Officer
at the Wedgwood Museum.</span></div>
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<span style="font-family: inherit;"><span style="color: windowtext;">Please click <a href="http://www.vam.ac.uk/content/jobs/apply/">HERE></a> for details.</span></span></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-45005205669530189942015-07-30T21:27:00.003+01:002015-07-30T21:27:44.331+01:00DAS offering a grant ... and a bursary - get reading below!<div style="text-align: center;">
<span style="font-family: inherit; font-size: large;"><b><a href="http://www.decorativeartssociety.org.uk/noticeboard.html">1. GRANT OPPORTUNITY: </a></b></span></div>
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<span style="font-family: inherit; font-size: large;"><b><a href="http://www.decorativeartssociety.org.uk/noticeboard.html">DAS Collections Access Grant 2015</a></b></span></div>
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<span style="font-family: inherit;"><a href="http://www.decorativeartssociety.org.uk/">The Decorative Arts Society (DAS</a>) is an independent charity, founded in Brighton in 1975, financed by subscriptions and donations from its members and revenue from its events. The DAS encourages and supports the study and appreciation of all aspects of the decorative arts and design from 1850 to the present. In its activities and publications, the DAS embraces the different media on an international basis - furniture, ceramics, glass, metalwork, textiles, jewellery and fashion, as well as architecture, interior and industrial design, and the graphic arts. </span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><b>Aims and eligibility:</b></span><br />
<span style="font-family: inherit;">The DAS has established a small </span><b style="font-family: inherit;">Collections Access Grant</b><span style="font-family: inherit;"> which aims to support curators in extending access to, and knowledge of, the decorative arts in their collections.</span><br />
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<span style="font-family: inherit;"><b>The Grant:</b></span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>provides funding for practical costs to help curators from publicly-funded museums that are open to the public to enhance access to their collections through display, publication or digital media</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>is available to fund individual curatorial activities or shared projects.</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>gives priority to objects falling within the period 1850 to the present.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><b>What we will support:</b></span><br />
<span style="font-family: inherit;">Applications from individual UK curators may include requests for funding</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>to improve or update displays in the decorative arts in a publicly-funded museum,</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>to fund a small decorative arts display in whole or in part, </span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>to assist with publication, both printed and in online form, for example by funding in whole or in part a short-term post to create database records or images.</span><br />
<span style="font-family: inherit;">We are willing to consider funding other kinds of activity, provided the applicant can make a substantive case for its contribution to public access to decorative arts objects.</span><br />
<span style="font-family: inherit;">Applicants can also request support towards additional activities to extend existing museum projects.</span><br />
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<span style="font-family: inherit;"><b>Size of grant:</b></span><br />
<span style="font-family: inherit;">For 2015, the second year of the award, the DAS has earmarked the sum of £2000 for the Grant. If completion of the project depends on receiving funding from other sources, this should be indicated, with a timescale.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><b>How to Apply:</b></span><br />
<span style="font-family: inherit;">Please set out a submission of no more than 1000 words specifically indicating</span><br />
<span style="font-family: inherit;">•</span><span class="Apple-tab-span" style="font-family: inherit; white-space: pre;"> </span><span style="font-family: inherit;">how the grant will be spent (with a rough budget breakdown), and a realistic timeframe for when it will be needed;</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>details of the project and how it will develop curatorial expertise and collections access in your museum; and</span><br />
<span style="font-family: inherit;">•<span class="Apple-tab-span" style="white-space: pre;"> </span>why you are applying for a grant and why the project cannot be funded from elsewhere.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">Please also attach a short CV of no more than a side of A4 and a letter of support from your Director or equivalent.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">The <b>deadline </b>for applications for the 2015 Grant is <b>30 September 2015</b></span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">Applications should be sent to the Chairman on chairdas@gmail.com who is happy to answer any queries on 020 7228 1472.</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">The successful applicant will be expected to acknowledge the support of the DAS by displaying its logo in the project, and to write a short report for the DAS Newsletter or Journal. If appropriate, the project might be used as the subject for a DAS museum study day.</span><br />
<span style="font-family: inherit;">__________________________________</span><br />
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<b><a href="http://www.decorativeartssociety.org.uk/noticeboard.html"><span style="font-size: large;"><span style="font-family: inherit;">2. BURSARY</span></span></a></b></div>
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<b><a href="http://www.decorativeartssociety.org.uk/noticeboard.html"><span style="font-size: large;">2016 DAS Bursary for Curators: Helsinki</span></a></b></div>
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<b>Study Visit to Helsinki:</b> 18-22 May 2016 </div>
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<b>Deadline for applications:</b> 9 October 2015</div>
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Founded in 1975, the Decorative Arts Society (DAS) is a charity which encourages and supports the study and appreciation of all aspects of the decorative arts and design from 1850 to the present. The Society’s activities include architecture, interior and industrial design and the graphic arts. As part of its remit, it organises overseas study visits once or twice each year. </div>
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<b>Support to Curators</b></div>
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The Society’s Committee of Governors wishes to help decorative arts curators take part in these events, in order to extend the knowledge and contacts of the individuals and to strengthen the link between museums, their staffs and the Society. In 2012 it agreed a new policy of allocating funds for bursaries, in which priority is given to curators in publicly funded collections. </div>
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<b>Helsinki Bursary</b></div>
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The next DAS Bursary is to be made available for the Society’s study visit to Helsinki from 18-22 May 2016. It will focus on Jugendstil and Modernism, the works of Aalto and Saarinen and the Finnish glass industry.</div>
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The award is intended to cover a substantial proportion of the costs of the study visit including accommodation during the visit and travel to and from Helsinki but the successful applicant may need to find some limited incidental expenditure on meals not provided.</div>
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If awarded a grant by the Society, the applicant would be expected to provide an article for the DAS Newsletter describing the trip, and a longer record of events which is made available to participants. They would also need to take on personal membership of the DAS for a year (discounted for members of the Society of Decorative Arts Curators).</div>
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<b>How to apply for the 2016 DAS Helsinki Bursary</b> </div>
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Applicants should provide a CV and a note specifying how attendance on the visit would develop their expertise or be useful in their work. These should be sent to Robert Wilson, DAS Chairman, chairdas@gmail.com, who is happy to answer any queries, to arrive by 9 October 2015</div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-19446580073727541452015-07-27T11:29:00.002+01:002015-07-27T11:29:56.337+01:00Job Vacancies at the V & A<span style="font-family: inherit;">There are 2 job vacancies at the V&A: click <a href="http://www.vam.ac.uk/content/jobs/apply/">HERE></a></span><br />
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<li><span style="font-family: inherit;"> </span><span style="font-family: inherit;">Keeper, Sculpture, Metalwork, Ceramics and Glass Department (Permanent)</span></li>
<li><span style="font-family: inherit;">Ceramics Conservator (Maternity cover)</span></li>
</ul>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-47435073279706341602015-07-20T12:30:00.000+01:002015-07-22T16:47:25.152+01:00Islamic Art and Material Culture SSN <div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-JlQj02eMwWU/Va0QAUW-0WI/AAAAAAAAApc/miyYekl-pKE/s1600/1950_P_251.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://3.bp.blogspot.com/-JlQj02eMwWU/Va0QAUW-0WI/AAAAAAAAApc/miyYekl-pKE/s400/1950_P_251.jpg" width="400" /></a></div>
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">Rebecca
Bridgman from Birmingham Museums sends<span lang="EN-US"> news of the <a href="http://krc.orient.ox.ac.uk/iamcssn/index.php/en/ssn-news-events/87-news/300-a-sample-news-item">Islamic Art and Material Culture SSN</a> and its specialist
support scheme.</span></span><br />
<span style="font-family: inherit;"><span lang="EN-US"><br /></span></span>
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<a href="http://4.bp.blogspot.com/-yFulkyQxNLo/Vazaq86hIII/AAAAAAAAAo8/_8xE4KKD-lM/s1600/Islam%2Bssn%2Ba.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="45" src="http://4.bp.blogspot.com/-yFulkyQxNLo/Vazaq86hIII/AAAAAAAAAo8/_8xE4KKD-lM/s400/Islam%2Bssn%2Ba.jpg" width="400" /></a></div>
<span style="font-family: inherit;"><span lang="EN-US"><br /></span></span>
<span lang="EN-US">Are you able to help with publicising the SSN's new Specialist Support Scheme via your networks?</span><br />
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This scheme aims to provide regional museums with a toolkit to help them unlock the potential of their collections of Islamic art and material culture, using them to engage with new and diverse audiences.<br />
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<u>Deadline for submissions Friday 18th September 2015 (5:00 pm)</u><br />
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This opportunity includes:<br />
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• Scalable specialist support worth a <u>maximum of £5,025 per institution</u><br />
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• Help for institutions to identify and record collections, as well as define and begin to realise their potential for audience engagement through visits from specialist in collections and/or outreach and engagement<br />
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• Creation of digital records of collections through support from a photographer<br />
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• Tangible output from the scheme is required from each participating institution; this could vary from a physical, or on-line display to an outreach session, or professional knowledge sharing event<br />
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• Delivery on a region-by-region basis beginning in the current financial year (2015/6) with West Midlands and South-East<br />
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<span lang="EN-US"></span><br />
Details about applying can be found <a href="http://krc.orient.ox.ac.uk/iamcssn/images/documents/SPECIALIST_SUPPORT_SCHEME_-_guidelines_updated.pdf">HERE</a>><br />
<br />Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-32954448223709772142015-06-23T11:47:00.002+01:002015-06-23T11:47:46.142+01:00Hot and Sweet: 400 years of tea, coffee and chocolate drinking<span style="font-family: inherit;">Tempted?</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;">'<i>Hot and Sweet: 400 years of tea, coffee and chocolate drinking' </i>is the title of the appealing sounding <a href="http://www.northernceramicsociety.org/">Northern Ceramic Society’s</a> (NCS) Winter Weekend seminar. </span><br />
<span style="font-family: inherit;"><br />
There is an excellent line-up of speakers</span><br />
<span style="font-family: inherit;"><br />
The seminar
takes place between the 29th and 31st January 2016 in
Manchester. The seminar is open to members and non-members of the NCS.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-qVQol2tcaaU/VYk4JaAZaHI/AAAAAAAAAoI/Z0KGKB-GgXs/s1600/139_P_1990_2%2Bcropped.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: inherit;"><img border="0" height="289" src="http://1.bp.blogspot.com/-qVQol2tcaaU/VYk4JaAZaHI/AAAAAAAAAoI/Z0KGKB-GgXs/s320/139_P_1990_2%2Bcropped.JPG" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: small;">'Tea for Two' by <a href="http://www.landedge.co.uk/WRuscoe.htm">William Ruscoe</a> 1930-1939 © Potteries Museum & Art Gallery</span><br />
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<span style="font-family: inherit;">For full details please click <a href="http://www.northernceramicsociety.org/homepage/events/winter-weekend-seminar2/">HERE></a> </span><br />
<span style="font-family: inherit;"><br />
Please note there is a bursary that can be applied for to help with costs - click <a href="http://www.northernceramicsociety.org/wp-content/uploads/2015/06/Winter-weekend-2016.pdf">HERE></a> for details.</span>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-47525253232122195672015-06-13T14:07:00.002+01:002015-06-13T14:09:17.651+01:00Volunteer Opportunity Ceramics and Glass Section, V&A<span style="font-family: inherit;"><span style="font-size: small;">Rebecca Wallis
(<a href="mailto:r.wallis@vam.ac.uk">r.wallis@vam.ac.uk</a>) tells us of a
volunteer opportunity at the V&A in the Ceramics and Glass Section </span></span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><span style="font-size: small;"><u>Summary</u>: <br />The Sculpture, Metalwork, Ceramics and Glass (SMC&G) department
seeks to recruit a volunteer to assist with curatorial work three days a
week for three months’ duration between 4 August and 30 October 2015 in
the Ceramics and Glass Section. Cli<span style="font-family: inherit;">ck</span></span></span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><span style="font-size: small;"><u>For Full details click<span style="font-family: inherit;"> </span></u><a href="http://www.vam.ac.uk/content/jobs/apply/">HERE><span style="font-family: inherit;"> </span></a></span></span><br />
<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"> </span></span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-13581792781970178272015-06-08T18:09:00.000+01:002015-06-08T18:09:06.110+01:00Vacancies at the Shekou Design Museum, Shenzhen, China<div class="MsoNormal">
<span style="font-family: inherit;"><span style="font-size: small;">Luisa
Mengoni (<a href="mailto:l.mengoni@vam.ac.uk"><span lang="EN-US">l.mengoni@vam.ac.uk</span></a>) tells us of vacancies at the</span></span><a href="http://www.vam.ac.uk/blog/international-initiatives/from-shenzhen-chaihuo-makerspace-and-the-shenzhen-maker-faire"><span style="font-weight: normal;"><span style="font-family: inherit;"><span style="font-size: small;"> Shekou Design Museum, Shenzhen, China.</span></span></span></a></div>
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<li>Project Manager</li>
<li>Curator</li>
<li>Marketing and Communications Manager</li>
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<span style="font-size: small;"><span style="font-family: inherit;">The
full descriptions of the jobs can be found by clicking <a href="http://www.vam.ac.uk/content/jobs/apply/">HERE</a>> and paging down to the 3 opportunities at Shenzhen.</span></span></div>
Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-50041610922110030162015-04-26T11:49:00.001+01:002015-04-26T11:49:34.680+01:00Report: 'Ahead of the Curve: New china from China symposium'<div style="text-align: left;">
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<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">From Claire Blakey, Arts Curator, <a href="http://www.stokemuseums.org.uk/visit/pmag/">Potteries Museum & Art Gallery</a>:</span></span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">On 17<sup>th</sup> April
2015 the </span></span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">Potteries Museum & Art Gallery, Stoke-on-Trent, </span></span></span>hosted the Ahead of the Curve: <i>New china from China </i>symposium.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"> </span></span></span></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">The symposium focused on
contemporary Chinese ceramics and glass and was organised in conjunction with
the exhibition of the same title currently on display at The Potteries Museum
& Art Gallery until the 31<sup>st</sup> May.</span></span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"><br /></span></span></span></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">The aim of
both the exhibition and the symposium was to showcase exciting developments
over the last decade in Chinese studio glass and ceramics. Studio glass making
departments have only emerged in Chinese universities since 2000, whilst in the
field of contemporary ceramics, a wave of new graduates are challenging the
boundaries of their field. </span></span></span></div>
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<br /></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">Funding for
the project, which has been over four years in the making, has been supplied by
Arts Council England through Grants for the Arts, with grants for research
visits to China from The British Council and The Art Fund.</span></span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<br /></div>
<div style="text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;">
</span></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">We were able
to bring together an exciting group of speakers, including three who had come
to the UK to speak at the symposium. Glass artist Shelly Xue and potter Wan
Liya both have work on display in <i>Ahead
of the Curve</i>.</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-2FqfupY7GOc/VTy_0ax4xsI/AAAAAAAAAnE/ffpfOhmzmIg/s1600/image%2B1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-2FqfupY7GOc/VTy_0ax4xsI/AAAAAAAAAnE/ffpfOhmzmIg/s1600/image%2B1.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="line-height: 150%;">Shelly Xue,
Angel is Waiting 9, 2014, glass © the artist</span></span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-7W74JthAkBE/VTzA62a_EpI/AAAAAAAAAnU/dSAx04D5Hdw/s1600/image%2B2a-%2Bbanner.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-7W74JthAkBE/VTzA62a_EpI/AAAAAAAAAnU/dSAx04D5Hdw/s1600/image%2B2a-%2Bbanner.jpg" height="232" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="MsoNormal" style="line-height: 150%; text-align: left;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% yellow; line-height: 150%;"></span><span style="font-size: x-small;"><span style="line-height: 150%;">Wan Liya, <i>Birds Twitter and Fragrance Flowers, </i>2010,
porcelain © the artist</span></span></span></span></div>
</td></tr>
</tbody></table>
<div style="text-align: left;">
<span style="font-family: inherit;"></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">Both spoke
about their work and careers at the symposium and Shelly Xue also gave an
insight into the glass departments in Chinese universities. The keynote speaker
was Shannon Guo, co-curator of the exhibition, curator of <b><i>twocities</i></b><i> </i>gallery in Shanghai (the partner
gallery for the exhibition) and Associate Professor of the Fine Arts College of
Shanghai University, who gave an insight into the world of contemporary Chinese
craft.</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-rv8yxDRJJ6c/VTzBMuwkFUI/AAAAAAAAAnc/2ROxfVjcv5o/s1600/image%2B3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-rv8yxDRJJ6c/VTzBMuwkFUI/AAAAAAAAAnc/2ROxfVjcv5o/s1600/image%2B3.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"> <span style="font-size: x-small;">Visiting the <a href="http://www.dudson.com/company/dudson-museum">Dudson Museum</a> with Wan Liya and Shannon Guo.</span></span></span></span></td></tr>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">The symposium
also featured talks from:</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"><span></span><i>Helen Brown</i>, co-curator of the exhibition, on
shared concerns between British and Chinese artists</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">Ying Tan,
curator at the Centre for Chinese Contemporary Art, Manchester, on the works of
Liu Jianhua.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"><i>Rachel
Marsden</i>, specialist in transcultural curating and Chinese/Asian contemporary
culture, Coordinator (Research Assistant) at the Centre for Chinese
Contemporary Art (CCVA) and Lecturer in MA Contemporary Curatorial Practice at
the University of Lincoln, on China's new museums - an architecture of design.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;"><i>Andrew Brewerton</i>, Principal,
Plymouth College of Art, Honorary Professor of Fine Art, Shanghai University,
former Subject Leader in Glass, University of Wolverhampton, on contemporary
Chinese glass art.</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 150%;">An introduction to the
exhibition by <i>Claire Blakey</i> (co-curator and Arts Curator, The Potteries Museum
& Art Gallery), <i>Kate Newnham</i> (co-curator and </span><span style="line-height: 150%;">Senior Curator, Visual Arts</span><span style="line-height: 150%;">, </span><span style="line-height: 150%;">Bristol Museums, Galleries & Archives) and
Project Assistant <i>Alexandra Nachescu</i>.</span></span></span></div>
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</span></span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-kzCwEzkTBuY/VTzCEYzgjBI/AAAAAAAAAnk/QMfGbED0jlU/s1600/image%2B4.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://2.bp.blogspot.com/-kzCwEzkTBuY/VTzCEYzgjBI/AAAAAAAAAnk/QMfGbED0jlU/s1600/image%2B4.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="line-height: 150%;">Panel
discussion © Rachel Marsden</span></span></span></td></tr>
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<span style="font-family: inherit;"></span><span style="font-family: inherit;"><span style="font-size: small;">For a full
description of the day, please click <a href="https://rachelmarsdenwords.wordpress.com/2015/04/22/new-china-from-china-contemporary-chinese-ceramics-and-glass-symposium/">HERE></a></span></span></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-747325439065904762015-04-21T17:15:00.002+01:002015-04-21T17:17:08.635+01:00Making Futures: 3rd & final call for abstracts - deadline 18 May 2015<div class="WordSection1">
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; mso-fareast-language: EN-GB;"><br /></span><b><i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; mso-fareast-language: EN-GB;">MAKING
FUTURES<br />CRAFT AND THE (RE)TURN OF THE MAKER IN A POST-GLOBAL SUSTAINABLY
AWARE SOCIETY</span></i></b><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; mso-fareast-language: EN-GB;"><br /> </span></div>
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<b><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; mso-fareast-language: EN-GB;">For the website please click <a href="http://makingfutures.plymouthart.ac.uk/">HERE></a></span></b></div>
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<i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Making
Futures</span></i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
will be held on Thursday 24th and Friday 25th September 2015 in the
magnificently sited Mount Edgcumbe house on the River Tamar opposite the city of
Plymouth, Devon, UK.</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></div>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage.com/track/click?u=206baf77eac5444438d80902b&id=492c388e8f&e=09b9a77019"><b><span style="color: black;">CALL FOR ABSTRACTS</span></b></a></span></div>
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<i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Making
Futures</span></i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;"> investigates
contemporary craft and maker movements as ‘change agents’ within 21st century
society, particularly in relation to global sustainability agendas, social
innovation and community regeneration. Embracing contemporary craft and making
as instances of <i>thought in action,</i> and convinced of their transformative
potential at personal and communal levels, <i>Making Futures</i> envisages
the <i>‘return of the maker’</i> as a radically open project capable of
generating new progressive possibilities - of contributing to new social and
economic futures.</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></div>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><br /><i>Making
Futures</i> welcomes submissions from all who have an interest in the
relationship between contemporary making, sustainability and social change,
including artists, craftspeople, designers and design groups, curators,
historians, theorists, campaigners, activists, and enterprises engaging in
making and/or with makers.<br /><br />We welcome proposals for practice-led case
studies, presentations based in critical-theoretical and historical analysis,
and unconventional formats that might include performance, objects, AV, and
other media and materials. The working language is English but the scope is
international and we welcome accounts from non-western contexts.</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></div>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage1.com/track/click?u=206baf77eac5444438d80902b&id=04d9a7ee97&e=09b9a77019"><b><span style="color: black;">CONFERENCE THEMES:</span></b></a></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">The
call is open to three Research Workshops and the six Indicative Themes that more
generally underpin the <i>Making Futures</i> series:</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><br /><br /><b>Indicative
Themes:</b></span></div>
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<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Lifecycles
of Material Worlds (Sustainability in Practice)</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
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<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Craft
in an Expanded Field</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Critical
Perspectives on Producers & Consumers</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Translations
Across Local-Global Divides</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Materials
& Processes of Making</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l2 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Making
Thinking (Crafting Education)</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></li>
</ul>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage.com/track/click?u=206baf77eac5444438d80902b&id=a2635ed6c4&e=09b9a77019"><b><span style="color: black;">Research Workshops:</span></b></a></span></div>
<ul type="disc">
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Digital
Crafting – Defining the Field</span></u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
in collaboration with the School of Materials, The Royal College of
Art.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Makers
& Frugal Innovation</span></u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
in collaboration with the Judge Business School, University of Cambridge, and
Fab Lab Barcelona.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l1 level1 lfo2; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Place-Making-Space:
<i>tools and methods for</i> ‘<i>crafting communities’ and ‘making
places’</i></span></u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
in collaboration with the Community21 Sustainable Design Research Group at the
University of Brighton.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></li>
</ul>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage.com/track/click?u=206baf77eac5444438d80902b&id=e11b91197c&e=09b9a77019"><b><span style="color: black;">KEYNOTES:</span></b></a></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">We
are pleased to announce the following confirmed keynotes:</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></div>
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<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l0 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><i><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Rebecca
Burgess,</span></u></i><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
Executive Director of <i>Fibershed, </i>San Geronimo, Northern California, USA.
Fibreshed is an international network of regional textile communities based on
carbon farming, regenerative textile manufacturing, and public education, and a
co-founder of the Carbon Cycle Institute (CCI).</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l0 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><i><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Keith Harrison</span></u></i><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">,</span></u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
International Artist-Maker and Research Professor at Bath Spa University, UK.
Keith has been involved in a series of process-based live public experiments
that investigate the direct physical transformation of clay from a raw state
utilising industrial and domestic electrical systems. Kieth will also be showing
in one of the associated exhibitions, <i>Acts of Making</i>.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l0 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><i><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Mark
Miodownik</span></u></i><i><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">,</span></i><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
Director of the Institute of Making, University College London, UK, a
multidisciplinary research club for those interested in the made world: from
makers of molecules to makers of buildings, synthetic skin to spacecraft, soup
to clothes, from furniture to cities.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span>
</li>
<li class="MsoNormal" style="color: #202020; line-height: 150%; mso-list: l0 level1 lfo3; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><i><u><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Cameron
Tonkinwise,</span></u></i><span style="font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
Director of Design Studies, School of Design, Carnegie Mellon University, USA.
Cameron’s areas of research include Sustainable Design, systems of shared use,
and the role designers can play in enabling social systems change.</span><span style="font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></li>
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<span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage.com/track/click?u=206baf77eac5444438d80902b&id=c11fe00831&e=09b9a77019"><b><span style="color: black;">CONFERENCE EXHIBITIONS</span></b></a></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">Alongside
the conference we will run two major exhibitions:</span><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
</span><i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage.com/track/click?u=206baf77eac5444438d80902b&id=1f9fe002b8&e=09b9a77019"><span style="color: black;">Acts of Making</span></a></span></i><i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">:</span></i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">a
Crafts Council Touring Project in partnership with Plymouth College of Art and
Plymouth City Council, Arts & Heritage<i>; 2015</i></span><i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
</span></i><i><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><a href="http://plymouthart.us7.list-manage1.com/track/click?u=206baf77eac5444438d80902b&id=c945a5eaf4&e=09b9a77019"><span style="color: black;">Jerwood Makers Open</span></a></span></i><i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">:
</span></i><span style="color: black; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">a</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">
UK national exhibition commissioned by Jerwood Visual Arts.</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><br /><br /><a href="http://plymouthart.us7.list-manage2.com/track/click?u=206baf77eac5444438d80902b&id=b2ba2cd159&e=09b9a77019"><b><span style="color: black;">CONFERENCE BURSARIES:</span></b></a></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">A
limited number of full bursaries are available to independent makers, see
website for details.</span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"><br /><br /><a href="http://makingfutures.plymouthart.ac.uk/register/"><b><span style="color: black;">REGISTRATION OPEN</span></b></a><span id="goog_1625650641"></span><span id="goog_1625650642"></span></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 10.5pt; line-height: 150%; mso-fareast-language: EN-GB;">To
facilitate high levels of delegate interaction conference places are limited.
Early bird offer: book before 17<sup>th</sup> May 2015 and save £40 on the Full
2 Day Registration Fee.<br /><br /><b>FOR FULL DETAILS PLEASE VISIT THE CONFERENCE
WEBSITE <a href="http://makingfutures.plymouthart.ac.uk/">HERE></a></b></span><span style="color: #202020; font-family: 'Helvetica','sans-serif'; font-size: 13.5pt; line-height: 150%; mso-fareast-language: EN-GB;"></span></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-25894835750221312242015-04-15T09:37:00.003+01:002015-04-15T09:37:54.183+01:00Fri 17 April 2015 Ahead of the Curve symposium - don't miss it!<div class="MsoNormal">
<span style="font-size: large;">There are still places available at the <i>'Ahead of the Curve' </i>symposium which takes place Friday 17th April at The Potteries Museum & Art
Gallery.</span></div>
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<span style="font-size: large;">Some of the artists whose
work is featured in the exhibition are coming over from China especially to
speak at this event, alongside some great UK-based speakers.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-size: large;">Click <a href="http://theceramicsnetwork.blogspot.co.uk/2015/03/book-now-contemporary-chinese-ceramics.html">HERE</a>> to book now and for full details.</span></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-26012844703168287482015-03-27T17:01:00.000+00:002015-03-31T12:05:53.624+01:00 BOOK NOW! Contemporary Chinese Ceramics and Glass Symposium<div class="MsoTitle" style="text-align: center;">
</div>
<h3 class="MsoTitle" style="text-align: center;">
<b><span style="mso-bidi-font-style: normal;">'New
china from China'</span></b></h3>
<h3 class="MsoTitle" style="text-align: center;">
<b> Contemporary Chinese Ceramics and Glass Symposium, </b></h3>
<h3 class="MsoTitle" style="text-align: center;">
<b>Friday 17
April 2015</b></h3>
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</div>
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<a href="http://1.bp.blogspot.com/-Gj0zZivBW9A/VRWEh4ZfFfI/AAAAAAAAAlw/d_ayJAp-K7M/s1600/Ahead%2Bof%2Bthe%2Bcurve12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-Gj0zZivBW9A/VRWEh4ZfFfI/AAAAAAAAAlw/d_ayJAp-K7M/s1600/Ahead%2Bof%2Bthe%2Bcurve12.jpg" height="190" width="320" /></a></div>
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; vertical-align: middle;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b>When?</b> </span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Friday 17 April 2015</span></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br /></span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; vertical-align: middle;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b>What?</b></span></span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span><i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">New china from China,</span></i><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"> a one-day symposium at
the Potteries Museum & Art Gallery, Stoke-on-Trent. This symposium is organised
in conjunction with the exhibition <i style="mso-bidi-font-style: normal;">'<a href="http://theceramicsnetwork.blogspot.co.uk/p/exhibitions.html">Ahead of the Curve: new china from China'.</a></i></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b>How much is the symposium?</b> Tickets: £30 (£15
students and concessions)</span><u><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></u><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b> </b></span></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br /></span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; vertical-align: middle;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b>How much is the exhibition entry?</b></span> <i style="mso-bidi-font-style: normal;">'Ahead of the Curve'</i> exhibition is free of charge. </span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><br /></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";"><b>How do I book?</b> To book your tickets please click <a href="https://getinvited.to/bmga/new-china-from-china-contemporary-chinese-ceramics-and-glass-symposium/">HERE></a></span></div>
<br />
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<u><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"></span></u></div>
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<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">About the Exhibition</span></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">'Ahead of the Curve</span></i><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">' is a ground-breaking exhibition showcasing
the latest developments in studio ceramics and glass art from China
(particularly Shanghai and Jingdezhen). The exhibition is organised through a
partnership between Bristol Museum & Art Gallery, The Potteries Museum
& Art Gallery, Stoke-on-Trent, The Wilson, Cheltenham Art Gallery and
Museum and Two Cities Gallery, Shanghai.</span></div>
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<br /></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Both the exhibition and the symposium
seek to showcase exciting developments over the last decade in Chinese studio
glass and ceramics. Studio glass making departments have only emerged in
Chinese universities since 2000, whilst in the field of contemporary ceramics,
a wave of new graduates are challenging the boundaries of their field</span></div>
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<br /></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Funding for the project, which has been
over four years in development, has been supplied by Arts Council England
through Grants for the Arts, with grants for research visits to China from The
British Council and The Art Fund.</span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-J7rPz_YZCE0/VRWQxzmtlQI/AAAAAAAAAmU/PMfBtPzhijo/s1600/Shelly%2BXue%2B-%2BGather%2Bseries%2B-Angel%2Bis%2BWaiting%2B9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-J7rPz_YZCE0/VRWQxzmtlQI/AAAAAAAAAmU/PMfBtPzhijo/s1600/Shelly%2BXue%2B-%2BGather%2Bseries%2B-Angel%2Bis%2BWaiting%2B9.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shelly Xue - Gather series - Angel is Waiting 9</td></tr>
</tbody></table>
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<br />
<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">About the Symposium </span></b></div>
<div class="MsoNormal" style="line-height: 150%;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Symposium duration:<span style="mso-spacerun: yes;"> </span>10:15 to 17:00 </span></div>
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<br /></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">From 17:00 onwards there is an
opportunity to join our curators for a guided tour of the exhibition (limited
numbers).</span></div>
<div class="MsoNormal" style="line-height: 150%;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The symposium will cover topics such
as:</span></div>
<ul>
<li><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;">
</span></span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The place of Chinese ceramics and glass in the
contemporary art world</span></span><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></li>
<li><span style="font-family: inherit;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Technological and stylistic transfer and
innovation in contemporary Chinese glass and ceramics</span></span><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></li>
<li><span style="font-family: inherit;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Continuity and interruptions between
traditional and contemporary craft in China</span></span><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></li>
<li><span style="font-family: inherit;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The influence of local identity on ceramic
production (i.e. Stoke-on-Trent and Jingdezhen)</span></span><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></li>
<li><span style="font-family: inherit;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">How artists formulate aspects of their identity
(local, national and so on) through their artistic practice</span></span><span style="font-family: inherit;"><span style="mso-list: Ignore;"><span style="font-feature-settings: normal; font-kerning: auto; font-language-override: normal; font-size-adjust: none; font-size: 7pt; font-stretch: normal; font-style: normal; font-synthesis: weight style; font-variant: normal; font-weight: normal; line-height: normal;"> </span></span></span></li>
<li><span style="font-family: inherit;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The role of galleries, museums and art
colleges in the promotion of Chinese ceramic and glass art</span></span></li>
</ul>
<span style="font-family: inherit;">
</span><br />
<div class="MsoNormal" style="line-height: 150%;">
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><b>Confirmed speakers include</b>: </span></div>
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;"><u>Andrew Brewerton</u>, Principal, Plymouth
College of Art, Honorary Professor of Fine Art, Shanghai University, former
Subject Leader in Glass, University of Wolverhampton</span></span><span class="st"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></span></li>
<li><span class="st"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Rachel
Marsden</u>, </span></span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Specialist in Transcultural Curating & Chinese/Asian
contemporary culture,</span> Coordinator (Research Assistant) at the Centre for
Chinese Contemporary Art (CCVA) and <span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Lecturer in MA Contemporary Curatorial
Practice at the University of Lincoln</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></li>
<li><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Claire Blakey</u>, Co-curator of <i style="mso-bidi-font-style: normal;">'Ahead of the Curve', </i>Arts Curator, The
Potteries Museum & Art Gallery, Stoke-on-Trent</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></li>
<li><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Helen Brown</u>, Co-curator of <i style="mso-bidi-font-style: normal;">'Ahead of the Curve', </i>Freelance Curator,
previously <i><span style="font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Collections Manager</span></i><span class="st">
and Curator of Fine Art at the Wilson, </span><i><span style="font-family: "Calibri","sans-serif"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;">Cheltenham</span></i><span class="st"> Art Gallery & Museum</span></span><span class="st"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></span></li>
<li><span class="st"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Ying Tan</u>,
Curator at the Centre for Chinese Contemporary Art, Manchester</span></span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></li>
<li><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Shelly
Xue</u>, </span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: SimSun;">Associate Professor, Glass Studio,
Shanghai Institute of Visual Art and Researcher, Shanghai Museum of Glass</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> and
artist participating in the exhibition</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></li>
<li><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Shannon Guo</u>, Co-curator of <i style="mso-bidi-font-style: normal;">Ahead of the Curve, </i><span style="mso-bidi-font-style: normal;">Curator of the </span><span style="mso-bidi-font-style: normal;"><b>twocities </b>gallery in Shanghai, and Associate Professor, Fine Arts College of Shanghai University </span></span></li>
</ul>
<div class="MsoNormal" style="line-height: 150%;">
<b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Potential speakers include:</span></b></div>
<ul>
<li><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><u>Shao
Changzong</u>, Lecturer, Department of Sculpture Jingdezhen Ceramic Institute, artist participating in the exhibition</span></li>
</ul>
<div class="MsoNormal" style="line-height: 150%;">
<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Getting
there</span></b></div>
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</div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Train: the nearest railway station is Stoke-onTrent. From the station the museum is a 25-30 minute walk or a 5 minute taxi ride away.</span><br />
<br />
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Stoke-on-Trent is only an hour and a
half away from London Euston by train. Visit the <a href="http://www.virgintrains.co.uk/">Virgin Trains </a>website for more
details</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">. The
cheapest fairs are available when booked in advance.</span><br />
<br />
<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">For even cheaper journeys,
<a href="http://www.londonmidland.com/">London Midland</a> also run slower services from Euston</span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">.</span><br />
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Regular
train services also connect Stoke-on-Trent to Manchester, Birmingham, Derby,
Bristol, Bath and Oxford. For more train information click <a href="http://www.nationalrail.co.uk/">HERE></a></span><b style="mso-bidi-font-weight: normal;"><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></b></b><br />
<br />
<b style="mso-bidi-font-weight: normal;"><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Accommodation</span></b></b><span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> </span></span></span><br />
<span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">There are a number of hotels and bed
and breakfasts in the area. Please click <a href="http://www.visitstoke.co.uk/stay/">HERE></a></span><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"> or
telephone the Stoke-on-Trent Tourist Information Centre on 01782 236000 for
more details.</span></span></span></div>
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<br />
<span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Please note that the museum is located
in <u>Hanley</u> (one of the six towns which make up the city of Stoke-on-Trent).</span></span></span><br />
<br />
<span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">The Hanley Premier Inn at Etruria
Road, Hanley, ST1 5NH is particularly close to the museum.Click <a href="http://www.premierinn.com/en/hotel/STOHAN/stoke-on-trent-hanley?cmp=GLBC">HERE></a> for their details</span></span></span></div>
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<span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><b><span style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">About
the location</span></span></b></span></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">The symposium
will be hosted by The Potteries Museum & Art Gallery, Stoke-on-Trent.</span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman";">Stoke-on-Trent, commonly known as The Potteries, is the historical centre of
ceramic production in the UK. The area has many pottery attractions, including
ceramic factory tours, museums and the Gladstone Pottery Museum, the last
complete Victorian pottery factory in the country. A full list can be found <a href="http://www.visitstoke.co.uk/potteries/">HERE></a></span><br />
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</span></span>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-66282068721563584412015-03-15T11:42:00.000+00:002015-03-15T11:42:24.007+00:00Fully-funded AHRC PhD studentship in Ceramics & Glass<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-azu8zyIbSbA/VQVvZ5Zj4eI/AAAAAAAAAlI/WSrfyJtnnqs/s1600/sunderland%2Buni-logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-azu8zyIbSbA/VQVvZ5Zj4eI/AAAAAAAAAlI/WSrfyJtnnqs/s1600/sunderland%2Buni-logo.png" height="149" width="320" /></a></div>
Dr Andrew Livingstone tells us of an opportunity to apply for a fully-funded AHRC PhD studentship in Ceramics & Glass at the University of Sunderland.<br />
<br />
The University of Sunderland has offered AHRC-funded PhD studentships in Arts and Design since 2004, and since 2008, also as part of a partnership with University of Northumbria.<br />
<br />
Each year from 2014 to 2019, PhD studentships in Art and Design are being offered as part of the Northumbria-Sunderland AHRC Centre for Doctoral Training in Art and Design<br />
<br />
<div style="text-align: center;">
Deadline for submission - <b>12pm</b> <b>Monday 20th April 2015</b>.</div>
<div style="text-align: center;">
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<div style="text-align: center;">
Interviews - <b>Monday 18th May and Tuesday 19th<sup></sup> May 2015.</b></div>
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<b>Full details can be found <a href="http://www.sunderland.ac.uk/research/newsevents/news/news/index.php?nid=3189">HERE></a></b></div>
<br />
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<br />Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-82861622305145319992015-02-21T17:10:00.003+00:002015-06-08T17:58:22.517+01:00Ahead of the Curve<!--[if !mso]>
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<span style="font-family: inherit;"><span style="font-size: small;">The
exhibition </span></span><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;"><b><i>Ahead of the
Curve </i></b></span></span></span></span>shows work by many artists connected to the city of Jingdezhen in
Jiangxi province. Porcelain has been made there for over ten centuries; the
city housed the imperial kilns which produced thousands of the finest porcelain
wares for Chinese emperors and their households. More than half of the works in <b>Ahead of the Curve: new china from China</b> were made in Jingdezhen, renowned
for its high quality raw materials and the skills of local craftspeople<span style="font-family: inherit;">.</span> </span></span><br />
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</span><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;">The work in <b><i>Ahead of the
Curve</i></b> is a wonderful blend of traditional techniques, new techniques and
social commentary. The glass works in the exhibition offer an insight into a
relatively new discipline in Chinese art - studio glass has only recently
emerged since the early 2000s in Chinese universities.</span></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;"><b>Click </b><a href="https://getinvited.to/bmga/new-china-from-china-contemporary-chinese-ceramics-and-glass-symposium/">HERE></a> for your booking form </span></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: x-small;"><span style="font-family: inherit;"><span style="font-size: small;"><b>Read on</b> to find out about the fascinating background to this exhibition and for images.</span></span></span></span></div>
<span style="font-family: inherit;"><span style="font-size: small;">_______________________</span></span><br />
<br />
<b><span style="font-family: inherit;"><span style="font-size: small;">'Edgy Resonance': Researching Ahead of the Curve by Alexandra Nachescu</span></span></b><br />
<br />
<span style="font-family: inherit;"><span style="font-size: small;">'Ahead of the Curve' started with the question: 'I wonder
what potters are up to nowadays in China's traditional porcelain capital,
Jingdezhen?' </span></span><br />
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<span style="font-family: inherit;"><span style="font-size: small;">Curators Kate Newnham, Helen Brown and Claire Blakey worked with
Associate Professor at Fine Arts College of Shanghai University and curator of <b>twocities gallery</b>, Shannon Guo, to
select twenty emerging and established artists to tell the story of the hustle
and bustle of contemporary Jingdezhen.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">When I joined the team in July 2014, it
became my job to find out more about these 20 creators. Using catalogues of
their previous exhibition, exhibition reviews around the Chinese web, thesis
excerpts, interviews in Chinese newspapers, and countless artist blog posts on
everything from holiday trips to kiln mishaps, we've ended up doing a fair bit
of detective work to understand these twenty amazing artists a bit better.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">We were often lucky to find artists telling their story in
their own voice. Ceramicist Wu Hao talks in several interviews of the thrill of
giving up his career as an interior designer and starting from scratch in
Japan. His reinvention of himself as a potter in Japan was not all rosy,
however: after arriving at Kyoto City University of the Arts, he found that his
teacher, highly regarded Sodeisha potter Sato Shi, had set up office in the
pottery studio. He discovered his teacher only wanted him to throw one pot
after the other, with little feedback other than short remarks and no training
whatsoever. What started out as a harrowing experience became a time of great
self-discovery: the intense throwing sessions gave him a much better feel for
clay, one that no teacher could ever convey through words.</span></span></div>
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<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-mXljtu4JUVc/VOi1E5iHrNI/AAAAAAAAAj0/sAvxWtvsC4U/s1600/AN%2Bblog%2B01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="213" src="http://3.bp.blogspot.com/-mXljtu4JUVc/VOi1E5iHrNI/AAAAAAAAAj0/sAvxWtvsC4U/s1600/AN%2Bblog%2B01.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Figure 1 Wu Hao and
his works. (c) Wu Hao 2014</span></span></td></tr>
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<span style="font-family: inherit;"><span style="font-size: small;">We wouldn't have been able to go very far without the
tireless support of our partners at <b>twocities
gallery</b> Shanghai, particularly Mandy Fung, Joy Ying and their intern Kyo
Qiang. They had to contend with endless pleas for more information, questions
to relay to the artists about their practice, as well as more unusual questions
such as 'do lotus stalks have spikes on them?' (Answer: Yes, but not quite as
pronounced as the spikes on Zhao Lantao's spindly lotus stalks).</span></span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-bJlg9ZYMCMM/VOi1s4HP-zI/AAAAAAAAAj8/pRL-mnOTgEY/s1600/AN%2Bblog%2B02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="http://2.bp.blogspot.com/-bJlg9ZYMCMM/VOi1s4HP-zI/AAAAAAAAAj8/pRL-mnOTgEY/s1600/AN%2Bblog%2B02.jpg" width="228" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Figure 2 Zhao
Lantao, <i>At Ease</i>, porcelain, 2011, (c)
Zhao Lantao</span></span></td></tr>
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<span style="font-family: inherit;"><span style="font-size: small;"></span></span><span style="font-family: inherit;"><span style="font-size: small;">More often than not, the discussion turned to how we
translate or explain the titles of certain works. The names of works like Zhang
Jingjing's 'Spring Up' series and Guan Donghai's'Gate Series' reference
traditional idioms, while Wang Ping's <i>'Lao
Yi Lian</i>/Old Lotus' brush pot is an homage not to a literal flower, but to
the 16<sup>th</sup> century Chinese painter Chen Hongshou who bore that
nickname. </span></span></div>
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<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-4XHBgFOJkG0/VOi2IS0ohOI/AAAAAAAAAkE/CkcZN5HjWB8/s1600/AN%2Bblog%2B03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="212" src="http://1.bp.blogspot.com/-4XHBgFOJkG0/VOi2IS0ohOI/AAAAAAAAAkE/CkcZN5HjWB8/s1600/AN%2Bblog%2B03.jpg" width="320" /></a></td></tr>
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<span style="font-size: x-small;"><span style="font-family: inherit;">Figure 3 Wang Ping,
Brush Washer, porcelain, 2014, (c) Wang Ping</span></span></div>
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<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-H1JlKzDSWR4/VOi2YeRwmfI/AAAAAAAAAkM/SSQIC0VeIOI/s1600/AN%2Bblog%2B04.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="197" src="http://2.bp.blogspot.com/-H1JlKzDSWR4/VOi2YeRwmfI/AAAAAAAAAkM/SSQIC0VeIOI/s1600/AN%2Bblog%2B04.jpg" width="320" /></a></td></tr>
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<span style="font-size: x-small;"><span style="font-family: inherit;">Figure 4 Zhang
Jingjing, <i>Spring Up Series no.10, </i>porcelain,
2010, (c) Zhang Jingjing</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">People often talk of things getting lost in translation, and
that was something we always had to watch out for in the to-and-fro of
translating our research from Chinese into English, and translating our final
catalogue entries and interpretation back into Chinese. However, every once in
a while a word or a phrase would come out of this linguistic ping-pong match
that would delight us and make us see things in a new light. When we had to
decide on a Chinese translation for the exhibition title 'Ahead of the Curve',
we asked a former Bristol Museum Taiwanese volunteer for help, and she gave us <i>feng Yun,</i> which literally translates to 'edgy resonance. Short and with great punch, we thought it captured the feel
of our exhibition perfectly.</span></span></div>
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<span style="font-family: inherit;"><span style="mso-fareast-language: EN-GB;">Alexandra
Nachescu,</span></span><br />
<span style="font-family: inherit;"><span style="mso-fareast-language: EN-GB;">Public Programmes
Officer</span><i><span style="mso-fareast-language: EN-GB;"><span style="font-family: inherit;">: </span>Ahead of the
Curve: New china from China</span></i></span></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-66184058551317048192015-02-17T15:42:00.001+00:002015-02-17T15:43:36.313+00:00THE THIRD ANNUAL SIR PERCIVAL DAVID LECTURE <!--[if !mso]>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span style="background: none repeat scroll 0% 0% white; line-height: 115%;">'<i>Tales of a Tea Jar: Chinese Ceramics
and Tea in Japan</i></span></b><b><span lang="EN-US" style="line-height: 115%;">'</span></b></span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span lang="EN-US" style="line-height: 115%;">Given
by Louise Cort</span></b></span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span lang="EN-US" style="line-height: 115%;"><span lang="EN-US">______</span></span></b></span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span lang="EN-US" style="line-height: 115%;"><span lang="EN-US">Sponsored by</span></span></b></span></span></div>
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<span style="font-size: large;"><span style="font-family: inherit;"><b><span lang="EN-US" style="line-height: 115%;"><i>The Sir
Percival David Foundation Trust</i></span></b></span></span><span style="font-family: inherit;"><span style="font-size: small;"> </span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">A remarkable story of
luck brought a standard Chinese storage jar into the realm of tea culture (<i>chanoyu</i>) in Japan. While the jar played
a practical role for storage of tea, it was also drawn into the system of
connoisseurship that developed in the context of <i>chanoyu</i>. It was deemed worthy of a personal name, <i>Chigusa</i>, and provided with luxurious
silk accessories. Sixteenth-century diaries of tea events describe its
appearance in detail. <i>Chigusa’s</i> story
provides a focal point for considering the shifting role of Chinese ceramics in
<i>chanoyu</i>, especially in the era before
kilns in Japan began producing tea ceramics.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><b><span lang="EN-US">WHEN? Monday 11 May 2015</span></b><b><span lang="EN-US"> </span></b></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><b><span lang="EN-US"><span style="font-family: inherit;">TIME?<span style="font-size: small;"><span lang="EN-US"><b> </b></span></span></span>Lecture: 18.00 Reception: 17.30</span></b></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><span style="font-family: inherit;"><span style="font-size: small;"><b><span lang="EN-US">WHERE?</span></b></span></span> <b>Bonhams</b>, </span><span style="background: none repeat scroll 0% 0% white;">101 New Bond Street,
London W1S </span></span></span>1SR<span class="st"> </span></div>
<b>
</b><br />
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<b><span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;">ADMISSION? Free</span></span></span></b></div>
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<i><span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;">To reserve a seat in
advance please contact:</span></span></span></i></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;"></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;">Christine Mitch</span></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;">T: (+44) (0)207 468 824</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="background: none repeat scroll 0% 0% white;">E:
christine.mitchell@bonhams.com</span><span style="line-height: 115%;"> </span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"> </span><span style="line-height: 115%;"> </span><span style="background: none repeat scroll 0% 0% white;">
</span><span style="line-height: 115%;"></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></span><span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><b>Louise Cort</b> is Curator for Ceramics at the Freer Gallery of Art and Arthur
M. Sackler Gallery, Smithsonian Institution.</span></span></span></div>
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<span style="font-size: small;"><a href="http://1.bp.blogspot.com/-WI-6RpcgiSw/VONeLWOaJ1I/AAAAAAAAAjM/ZHOO22R85eM/s1600/louise-cort.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-WI-6RpcgiSw/VONeLWOaJ1I/AAAAAAAAAjM/ZHOO22R85eM/s1600/louise-cort.jpg" /></a></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US">Her interests include historical and contemporary ceramics in Japan,
Southeast Asia, and South Asia, and the Japanese arts of tea (<i>chanoyu</i>).</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US">She is the author of:</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><i>Shigaraki, Potters’ Valley</i> (1979, 2000)</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><i>Ceramics
in Mainland Southeast Asia</i></span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><i>Collections in the Freer Gallery of Art and Arthur
M. Sackler Gallery </i>(online catalogue with George Ashley Williams IV and
David P. Rehfuss, 2008)</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><i>Temple Potters
of Puri</i> (2012)</span></span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><span lang="EN-US"><i>Chigusa and the Art
of </i></span><i><span lang="EN-US">Tea</span></i><span lang="EN-US"> (with
Andrew M. Watsky, 2014) </span></span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-wmbDoj2W4Nw/VONe8gfuJVI/AAAAAAAAAjU/44waZICRb_U/s1600/tea%2Bleaf%2Bstorage%2Bjar%2BChigusa.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://2.bp.blogspot.com/-wmbDoj2W4Nw/VONe8gfuJVI/AAAAAAAAAjU/44waZICRb_U/s1600/tea%2Bleaf%2Bstorage%2Bjar%2BChigusa.jpg" height="320" width="305" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="image-caption current" style="opacity: 1;"><a href="http://www.asia.si.edu/exhibitions/current/gallery/chigusa.asp"><i>Tea-leaf storage jar named Chigusa</i></a><br />
China, probably Guangdong Province<br />
Southern Song or Yuan dynasty, mid-13th–mid-14th century<br />
Stoneware with iron glaze<br />
41.6 cm (h)<br />
FSC-P-6964.1</span></td></tr>
</tbody></table>
Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-54415920004401551022015-01-21T15:31:00.000+00:002015-01-21T15:31:17.225+00:00Exhbition News! Blue and White: British Printed Ceramics Find out more about this exhibition <b>Blue and White: British Printed Ceramics </b>on our Exhibitions page<b> </b>by clicking <a href="http://theceramicsnetwork.blogspot.co.uk/p/exhibitions.html">here</a>.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-vxLFfmuZJ6c/VL_GCQH0zmI/AAAAAAAAAic/0zuDfpMlEQs/s1600/PJB%2BBroseley%2Bpattern%2B02%2Bsmall%2B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-vxLFfmuZJ6c/VL_GCQH0zmI/AAAAAAAAAic/0zuDfpMlEQs/s1600/PJB%2BBroseley%2Bpattern%2B02%2Bsmall%2B.jpg" height="301" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Spode <i>Broseley</i> pattern, bone china, c1817</td></tr>
</tbody></table>
<b><br /></b>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-86579352555817400282015-01-19T17:29:00.004+00:002015-01-24T15:34:56.536+00:00Jonathan Ruffer Curatorial Grants Programme - deadline details<div style="text-align: center;">
<b>Curators - don't miss out!</b></div>
<br />
Rachael Browning, Programmes Manager (Projects) for The Art Fund tells us about the 2015 deadlines for the Jonathan Ruffer Curatorial Grants programme.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-vk9UvBkO8KA/VL0-B8sO2HI/AAAAAAAAAiA/QxAPMI5KvyQ/s1600/artfund%2Blogo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-vk9UvBkO8KA/VL0-B8sO2HI/AAAAAAAAAiA/QxAPMI5KvyQ/s1600/artfund%2Blogo.jpg" /></a></div>
<br />
The Ruffer programme provides £50,000 annually for travel and other practical costs to help curators undertake collection and exhibition research projects. Since the scheme’s inception we have helped over 160 curators and researchers at over 100 institutions undertake such projects across the globe.<br />
<br />
Check out the recent awards for further inspiration - click <a href="http://www.artfund.org/supporting-museums/jonathan-ruffer-curatorial-grants-recent-awards">here</a>.<br />
<br />
Here are 2 images from Patricia Allen, from Glasgow Museums, and her research in Ecuador and their
tradition of mask making. <br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-TGA5VnzCbD4/VMO7KNyUwzI/AAAAAAAAAiw/ler7URhQTdc/s1600/Pat%2BAllen%2BPic%2B2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-TGA5VnzCbD4/VMO7KNyUwzI/AAAAAAAAAiw/ler7URhQTdc/s1600/Pat%2BAllen%2BPic%2B2.jpg" height="320" width="310" /></a></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-hYNdbEiGg4E/VMO7KHxypwI/AAAAAAAAAis/gg3YdA9JUBs/s1600/Pat%2BAllen%2BPic.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-hYNdbEiGg4E/VMO7KHxypwI/AAAAAAAAAis/gg3YdA9JUBs/s1600/Pat%2BAllen%2BPic.jpg" height="244" width="320" /></a></div>
<br />
Full details on the programme can be found on the Art Fund <a href="http://www.artfund.org/supporting-museums/jonathan-ruffer-curatorial-grants">website</a>.<br />
<br />
Applications <u>under £1,500 c</u>an be accepted at any time.<br />
<br />
Applications <u>over £1,500 </u>are only considered three times a year.<br />
<br />
The next deadline for large applications is later this week on<b> Thursday 22 January 2015.</b><br />
<br />
The next deadline on <b>Wednesday 3 June</b><i> </i><b>2015</b><i> </i>and the <u>final</u> deadline in 2015 will fall on<b> Wednesday 23 September 2015.</b><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-hYJ2EBMvDQ8/VMO7b0tV9aI/AAAAAAAAAi8/uL8xrJiQYro/s1600/Alexandra%2BGreen%2BPic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-hYJ2EBMvDQ8/VMO7b0tV9aI/AAAAAAAAAi8/uL8xrJiQYro/s1600/Alexandra%2BGreen%2BPic.jpg" height="281" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alexandra Green, from the British Museum, pictured practising weaving techniques
during her research trip to Leiden</td></tr>
</tbody></table>
Contact Rachael Browning <br />
Programmes Manager (Projects) <br />
rbrowning@artfund.org <br />
0207 225 4816<br />
The Art Fund <br />
2 Granary Square <br />
King’s Cross<br />
London <br />
N1C 4BHCeramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-51700491049085955102014-12-15T15:48:00.000+00:002014-12-15T15:48:17.721+00:00Fully-funded Course for Curators: Navigating the Art Market<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-U-5wMPP7WyY/VI8AJPfRxbI/AAAAAAAAAhw/fnJCYmrogWM/s1600/artfund%2Blogo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-U-5wMPP7WyY/VI8AJPfRxbI/AAAAAAAAAhw/fnJCYmrogWM/s1600/artfund%2Blogo.jpg" /></a></div>
<span style="font-size: small;"><span style="font-family: inherit;">Thank you to Penny Bull of the <a href="http://www.artfund.org/supporting-museums">Art Fund</a> for this information on a course for curators: <b>Navigating the Art Market.</b> </span></span><span style="font-size: small;"><span style="font-family: inherit;">This is a short course for curators developed by <a href="http://www.sothebysinstitute.com/About/About.aspx">Sotheby’s Institute of Art </a>in partnership with the Art Fund.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: inherit;">Claire Blakey, a ceramics curator at the Potteries Museum & Art Gallery, says: <i>'I can highly recommend this course, which I completed in 2012'</i>. </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">This fully-funded
course is designed to provide a relevant and practical understanding of
the workings of the art market for curators working in UK public
collections. The course combines online learning with a one-day seminar at Sotheby’s Institute of Art in London on Friday, 6 March 2015.</span></span> </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: inherit;">Here are the details and remember to </span></span><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;">book early to prevent disappointment</span></span></span></span>:<br /><br /><b>When</b>: <u>Online</u> from end January 2015 with a <u>One-day seminar</u> on Friday, 6 March 2015</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /><b>Where</b>: Sotheby’s Institute of Art (for one-day seminar)</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /><b>Who</b>: Early career curators interested in gaining a practical understanding of the art market <u>and</u> more experienced curators wishing to refresh their knowledge</span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: inherit;"><b>Cost</b>: Fully-funded (including lunch)<br /><br />The 4 online sessions will be available for curators to access at any time during a one month period and will cover themes such as:</span></span><br />
<ul>
<li><span style="font-size: small;"><span style="font-family: inherit;">An Introduction to the Art Market</span></span></li>
<li>The Auction Houses</li>
<li>How Galleries, Dealers, Art Fairs and Collectors Operate</li>
<li>Tools for understanding the art market</li>
</ul>
<span style="font-size: small;"><span style="font-family: inherit;">The subsequent one-day seminar will give participants a chance to review and discuss the online content, ask questions and build new relationships through facilitated afternoon visits to commercial galleries representing various collecting areas.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />Although this course is fully-funded by the Art Fund in partnership with Sotheby’s Institute of Art, transportation to/from the seminar in London is not included. If you or your organisation cannot cover the travel costs, please contact us to discuss this further. </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />Places on <b>Navigating the Art Market</b> are limited and will be allocated on a first come, first served basis. Book early to prevent disappointment.</span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br />For further information and to book your place, please contact: </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">courses@artfund.org / 020 7225 4815<br /> </span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;">Penny Bull<br />Programmes Manager, Acquisitions<br />The Art Fund<br />2 Granary Square<br />Kings Cross<br />London<br />N1C 4BH<br />E: pbull@artfund.org <br />DL: 020 7225 4815<br />Main: 020 7225 4816</span></span>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-53743603265212991352014-12-02T13:00:00.000+00:002014-12-02T13:00:09.301+00:00Ahead of the Curve - new china from China<div class="WordSection1">
<span style="font-size: small;">It may seem odd to tell you about an exhibition that has just finished but don't worry if you missed it - it's going on tour! </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://3.bp.blogspot.com/-biyg9GVKvLw/VH21dOWGeCI/AAAAAAAAAhQ/t8DB0ALC1uw/s1600/Shao-Chaozong_Dreamer_web.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://3.bp.blogspot.com/-biyg9GVKvLw/VH21dOWGeCI/AAAAAAAAAhQ/t8DB0ALC1uw/s1600/Shao-Chaozong_Dreamer_web.gif" height="213" width="320" /></a></td></tr>
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<div class="WordSection1">
<span style="font-family: inherit;"><span style="font-size: small;"><a href="http://www.cheltenhammuseum.org.uk/Default.aspx?page=100">The Wilson, Cheltenham</a> had just completed its stint of hosting the <b><i>Ahead of</i>
<i>the Curve </i></b>exhibition<i> </i>before it tours to its next venue, </span></span><span style="font-family: inherit;"><span style="font-size: small;"><a href="http://www.bristolmuseums.org.uk/bristol-museum-and-art-gallery/"><span style="font-family: inherit;"><span style="font-size: small;">Bristol Museum & Art Gallery</span></span></a> and, following a showing there, onto to the<a href="http://www.stokemuseums.org.uk/visit/pmag/"> Potteries Museum & Art Gallery</a>, Stoke-on-Trent.</span></span><div class="MsoNormal">
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<span style="font-family: inherit;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-size: small;"><b><i>Ahead of</i>
<i>the Curve </i></b>is an</span></span> exhibition of contemporary
Chinese ceramics and glass made by emerging and established artists. It has been
surprising and impressing visitors at The Wilson since it opened in October 2014.</span></span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;">The
exhibition shows work by many artists connected to the city of Jingdezhen in
Jiangxi province. Porcelain has been made there for over ten centuries; the
city housed the imperial kilns which produced thousands of the finest porcelain
wares for Chinese emperors and their households. More than half of the works in <b>Ahead of the Curve: new china from China</b> were made in Jingdezhen , renowned
for its high quality raw materials and the skills of local craftspeople.
</span></span></div>
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<br /></div>
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<span style="font-family: inherit;"><span style="font-size: small;">The work in <b><i>Ahead of the
Curve</i></b> is a wonderful blend of traditional techniques, new techniques and
social commentary. The glass works in the exhibition offer an insight into a
relatively new discipline in Chinese art - studio glass has only recently
emerged since the early 2000s in Chinese universities. </span></span></div>
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<br /></div>
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<span style="font-family: inherit;"><span style="font-size: small;">Both staff and visitors at The
Wilson have enjoyed the exhibition, with the work resonating with people in very
different ways. </span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://1.bp.blogspot.com/-lE4A7zYJgJU/VH20s29wwbI/AAAAAAAAAhI/EgVfUKOaedc/s1600/Han-Xi_web.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://1.bp.blogspot.com/-lE4A7zYJgJU/VH20s29wwbI/AAAAAAAAAhI/EgVfUKOaedc/s1600/Han-Xi_web.gif" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lost by Han Xi 2010</td></tr>
</tbody></table>
<span style="font-family: inherit;"><span style="font-size: small;">The exhibition tours to Bristol Museum & Art
Gallery from 13 December 2014 to 1 March 2015</span></span><span style="font-family: inherit;"><span style="font-size: small;">: for more details and images please click <a href="http://www.bristolmuseums.org.uk/bristol-museum-and-art-gallery/whats-on/ahead-of-the-curve/">here</a></span></span><span style="font-family: inherit;"><span style="font-size: small;">. </span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://2.bp.blogspot.com/-H1oM49ASors/VH23WH8vSKI/AAAAAAAAAhc/mvMt1S-H3AI/s1600/C20-Wu-Hao-the-Drunk-pot-Series-no-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://2.bp.blogspot.com/-H1oM49ASors/VH23WH8vSKI/AAAAAAAAAhc/mvMt1S-H3AI/s1600/C20-Wu-Hao-the-Drunk-pot-Series-no-1.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Drunk Pot Series no. 1 by Wu-Hao</td></tr>
</tbody></table>
<div class="WordSection1">
<span style="font-family: inherit;"><span style="font-size: small;">After Bristol it goes to The Potteries
Museum & Art Gallery, Stoke-on-Trent from 14 March to 31 May
2015.</span></span></div>
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<br /></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-28041858485740087442014-11-12T11:52:00.000+00:002014-11-12T11:52:29.028+00:00Ceramic News from Claire Blakey<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
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<span style="font-family: inherit;"><span style="font-family: "Arial",sans-serif; font-size: small; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">Claire
Blakey writes from the Potteries Museum & Art Gallery. </span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "Arial",sans-serif; font-size: small; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">After
returning from a month at Winterthur Museum in Delaware, USA, I have come back to
lots of ceramic-related news:</span></span></div>
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<span style="font-family: inherit;"><span style="font-family: "Arial",sans-serif; font-size: small; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">The
excellent blog for the upcoming V&A exhibition <i>Blue and White: British
printed ceramics</i> can be found <a href="http://www.vam.ac.uk/blog/section/blue-and-white"><span style="color: blue;">here</span></a>. A recent entry by Sau Fong Chan on Scottish Ceramics in
Singapore is a great read. </span></span></div>
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<a href="http://www.twmuseums.org.uk/shipley-art-gallery/whats-on/events/henry-rothschild-memorial-lecture-with-alison-britton-obe.html"><span style="font-family: inherit;"><span style="font-size: small;"><br /></span></span></a></div>
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Britton OBE will be held on Thursday 20<sup>th</sup> November at the Shipley
Art Gallery.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: small; line-height: 107%;">An exhibition called</span><span style="font-size: small;"><i><span style="line-height: 107%;"> Ahead of the Curve: new china from China </span></i><span style="line-height: 107%;">is
currently on display at The Wilson, Cheltenham, until the 30<sup>th</sup>
November 2014. The exhibition showcases contemporary ceramics and glass from
emerging and established Chinese artists. Click <a href="http://www.cheltenhammuseum.org.uk/Default.aspx?page=284">here</a>.
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<span style="font-family: inherit;"><span style="font-size: small; line-height: 107%;">I can definitely recommend applying for one of Winterthur’s
research fellowships, click <a href="http://www.winterthur.org/?p=418">here.</a></span></span></div>
Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-77825222768016972672014-09-24T11:12:00.000+01:002014-10-26T10:37:25.811+00:00Curators! ArtFund Grants Available<!--[if gte mso 9]><xml>
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<i><span style="font-size: large;"><b>'New Collecting Awards'</b></span></i><br />
<span style="font-size: large;"><b>FIRST DEADLINE 7 NOVEMBER 2014</b></span><i><span style="font-size: large;"><b> </b></span></i></div>
<div class="MsoNormal" style="margin-bottom: 12pt; text-align: center;">
<i><span style="font-size: large;"><b>A new funding programme that will enable promising and ambitious
curators to pursue new avenues of collecting for their museums, and at
the same time build critical professional skills. </b></span></i></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-ksDxddCP274/VCKWIei6rOI/AAAAAAAAAgU/la1-ZrUbUwM/s1600/Art%2BFund.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-ksDxddCP274/VCKWIei6rOI/AAAAAAAAAgU/la1-ZrUbUwM/s1600/Art%2BFund.JPG" /></a></div>
A fantastic opportunity is offered with this grant programme,<i> New Collecting Awards. </i>It aims to nurture the skills and experience of up and coming
curators through participation in a strategic collecting scheme designed to
support acquisitions of the highest quality.<br />
<br />
There is <b>£300,000 available in the
first year.</b> <br />
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<i>New Collecting Awards</i> will help museums and galleries
develop their fine and applied art collections by offering <b>100% funding</b> for
focussed collecting that will extend holdings into new areas, or deepen
existing holdings in imaginative ways. </div>
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<br /></div>
<div class="MsoNormal">
And, because the ArtFund believes that excellent
collections development requires growing curatorial vision and ambition, award
recipients will also receive a funding allocation dedicated to their own
professional development – to spend on <b>research, travel and training costs </b>to
support their collecting plans, as well as the <b>ongoing support of a mentor</b>, ArtFund staff and trustees. </div>
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If you are tempted by this and interested in applying please contact Rachael Browning<span style="font-size: small;"> </span>on 0207 225 4816 or email <a href="mailto:rbrowing@artfund.org">rbrowning@artfund.org</a> </div>
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You can find full details on the application process with further information on the aims and
scope of this exciting scheme will be available at <a href="http://www.artfund.org/newcollecting">www.artfund.org/newcollecting</a> from <b>Thursday 25 September 2014.</b></div>
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Start thinking and planning to get your application in! First deadline: <b>7 November 2014.</b></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-52622010482116299712014-09-07T12:11:00.000+01:002014-09-07T12:11:49.819+01:00Save Wedgwood!<!--[if gte mso 9]><xml>
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<a href="http://2.bp.blogspot.com/-rJVyVj-4nxE/VAw6K7V3HFI/AAAAAAAAAfk/l1ANuYZx9vY/s1600/Save%2BWedgwood.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-rJVyVj-4nxE/VAw6K7V3HFI/AAAAAAAAAfk/l1ANuYZx9vY/s1600/Save%2BWedgwood.JPG" height="33" width="320" /></a></div>
<br />
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<span style="color: #1f497d; font-family: "Arial","sans-serif"; font-size: 10.0pt;">Many of you will be familiar with the campaign to save the
Wedgwood Museum’s collections. </span><br /><span style="color: #1f497d; font-family: "Arial","sans-serif"; font-size: 10.0pt;">The more people who know about this the better
so please let your contacts know if you think may
be able to help. </span></div>
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<a href="http://2.bp.blogspot.com/-kLSoNtObXOY/VAw6zw34k2I/AAAAAAAAAfs/Fx4A3O9U0u4/s1600/Wedgwood%2Bteapot%2B01.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-kLSoNtObXOY/VAw6zw34k2I/AAAAAAAAAfs/Fx4A3O9U0u4/s1600/Wedgwood%2Bteapot%2B01.JPG" height="210" width="320" /></a></div>
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<a href="http://2.bp.blogspot.com/-6o1DOg2GM90/VAw7McUORWI/AAAAAAAAAf0/4DyBefxLpKw/s1600/Wedgwood%2B02.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-6o1DOg2GM90/VAw7McUORWI/AAAAAAAAAf0/4DyBefxLpKw/s1600/Wedgwood%2B02.JPG" height="320" width="215" /></a></div>
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<a href="http://2.bp.blogspot.com/-fHK9UdMjp44/VAw9GmX-DsI/AAAAAAAAAgE/ovR9PvN0RDc/s1600/Wedgwood%2Bpaolozzi%2BVA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-fHK9UdMjp44/VAw9GmX-DsI/AAAAAAAAAgE/ovR9PvN0RDc/s1600/Wedgwood%2Bpaolozzi%2BVA.jpg" height="320" width="320" /></a></div>
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<span style="color: #1f497d; font-family: "Arial","sans-serif"; font-size: 10.0pt;">Here are the links: </span></div>
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<span style="color: #1f497d; font-family: "Arial","sans-serif"; font-size: 10.0pt;"><a href="http://www.savewedgwood.org/">http://www.savewedgwood.org/</a></span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 10.0pt;"><a href="http://www.savewedgwood.org/news/video-save-the-wedgwood-collection">www.savewedgwood.org/news/video-save-the-wedgwood-collection</a>
<span style="color: #1f497d;"></span></span></div>
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<span style="color: #1f497d; font-family: "Calibri","sans-serif"; font-size: 11.0pt;"><a href="http://www.stokesentinel.co.uk/Tristram-Hunt-fund-raising-world-class-Wedgwood/story-22861415-detail/story.html">http://www.stokesentinel.co.uk/Tristram-Hunt-fund-raising-world-class-Wedgwood/story-22861415-detail/story.htm</a></span></div>
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<span style="color: #1f497d; font-family: "Arial","sans-serif"; font-size: 10.0pt;"> We are also
on Twitter </span><span style="background: white; color: #1f4e79; font-family: "Arial","sans-serif"; font-size: 10.0pt; mso-fareast-language: EN-US;">@CeramicsNetwork –
please follow us! </span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
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<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
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<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
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<![endif]--><br />Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-77611830071116315932014-06-17T11:13:00.000+01:002014-06-17T11:13:38.589+01:00Job Vacancy<b>Job Title</b>: Exhibitions and Collection Coordinator (Visual Arts)<br />
<br />
<b>Where?</b> Gallery Oldham, <span style="font-family: inherit;">Cultural Quarter, Greaves Street, Oldham, OL1 1AL</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><b>Is is Full time?</b> Full time; permanent</span><br />
<br />
<b>Deadline</b>: Closing<span style="font-family: inherit;"> date 27th June 2014</span><br />
<span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit;"><b>Where can I get more information? </b>click <a href="https://yourcounciljobs.co.uk/jobdetails.aspx/35299/Exhibitions_and_Collections_Co_ordinator_Visual_Arts_/?sMinimumSalary=0&sMaximumSalary=0&sJobTypeLook=660&sSimple=&SAuthority_id=4">HERE</a></span><br />
<span style="color: #0000ee;"><u><br /></u></span>
<span style="color: #0000ee;"><u><br /></u></span><span style="font-family: inherit;"><a href="https://yourcounciljobs.co.uk/jobdetails.aspx/35299/Exhibitions_and_Collections_Co_ordinator_Visual_Arts_/?sMinimumSalary=0&sMaximumSalary=0&sJobTypeLook=660&sSimple=&SAuthority_id=4"></a></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: inherit;"><a href="http://3.bp.blogspot.com/-C9_qeFagk4Q/U6AUjawMvXI/AAAAAAAAAe8/6Z3B61biePo/s1600/gallery+oldham.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-C9_qeFagk4Q/U6AUjawMvXI/AAAAAAAAAe8/6Z3B61biePo/s1600/gallery+oldham.JPG" height="47" width="320" /></a></span></div>
<span style="font-family: inherit;"><span id="goog_1928499881"></span><span id="goog_1928499882"></span><a href="https://www.blogger.com/"></a></span>Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-64885084769821231962014-06-15T14:19:00.000+01:002014-06-16T10:42:46.403+01:00Two news items: bursary and conference<span lang="EN-US" style="font-family: Arial, sans-serif;">Details follow of the <u>second Henry Rothschild Ceramics Bursary;</u> and of a <u>conference </u></span><i><span lang="EN-US" style="font-family: Arial, sans-serif;"><u>Ceramics in the expanded field</u></span></i><span lang="EN-US" style="font-family: Arial, sans-serif;"><u> </u>at the University of Westminster. </span><br />
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<span style="font-family: Arial, sans-serif;"><br /></span><span style="font-family: Arial, sans-serif;"><b>BURSARY: Henry Rothschild Ceramics Bursary</b></span><br />
<span style="font-family: Arial, sans-serif; font-size: 13.63636302947998px;"><b><br /></b></span>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-I_FJcHqb6R0/U52busjXYWI/AAAAAAAAAek/BJBeNmZxTck/s1600/rothschild+bursary.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-I_FJcHqb6R0/U52busjXYWI/AAAAAAAAAek/BJBeNmZxTck/s1600/rothschild+bursary.jpg" height="184" width="320" /></a></div>
<b style="font-family: Arial, sans-serif; font-size: small; white-space: pre;"> </b><br />
<span style="font-family: Arial, sans-serif;">Applications are now invited for the Henry Rothschild Ceramics Bursary in partnership with Northumbria University.</span><br />
<span style="font-family: Arial, sans-serif;"><br /></span>
<span style="font-family: Arial, sans-serif;">The Henry Rothschild Ceramics Bursary of £5,000 will be awarded to an emerging ceramic artist.</span><br />
<span style="font-family: Arial, sans-serif;"><br /></span>
<span style="font-family: Arial, sans-serif;">The aim of the award is to give an artist the opportunity to develop their practice in ways in which they would not otherwise have the time or resources to do, enabling them to pursue new creative directions and ways of working.</span><br />
<span style="font-family: Arial, sans-serif;"><br /></span>
<span style="font-family: Arial, sans-serif;">Artists will be chosen by an independent selection panel and must be UK resident and have graduated or set up their practice for a minimum of 3 years.</span><br />
<span style="font-family: Arial, sans-serif;"><br /></span>
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</div>
<span style="font-family: Arial, sans-serif;">For further information and application details, please visit the <a href="http://www.twmuseums.org.uk/shipley-art-gallery/latest/news/henry-rothschild-ceramics-bursary-2014.html?utm_source=TWAM+Communications&utm_medium=email&utm_campaign=Henry+Rothschild+Ceramics+Bursary+">Shipley Art Gallery</a> website and the <a href="http://www.northumbria.ac.uk/sd/academic/sass/about/arts/artsnews/rothschildburs?utm_source=TWAM+Communications&utm_medium=email&utm_campaign=Henry+Rothschild+Ceramics+Bursary+">Northumbria University</a> website. </span><br />
<span style="font-family: Arial, sans-serif;"><br /></span>
<span style="font-family: Arial, sans-serif;"><b><i>Deadline for applications is 1 September 2014.</i></b></span><br />
<span style="font-family: Arial, sans-serif; font-size: x-small;"><b><i><br /></i></b></span>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-aJKXM9IFxrk/U52bQS5AjXI/AAAAAAAAAeU/h_-aj9brtdE/s1600/shipley+logo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-aJKXM9IFxrk/U52bQS5AjXI/AAAAAAAAAeU/h_-aj9brtdE/s1600/shipley+logo.JPG" /></a><a href="http://4.bp.blogspot.com/-jp7RBNEXPCY/U52bdKauJXI/AAAAAAAAAec/lblZUH6f8hA/s1600/Northumbria.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-jp7RBNEXPCY/U52bdKauJXI/AAAAAAAAAec/lblZUH6f8hA/s1600/Northumbria.JPG" /></a></div>
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<span style="font-family: Arial, sans-serif; font-size: x-small;"><b> ________________________________________</b></span></div>
<span style="font-family: Arial, sans-serif; font-size: x-small;"><b><br /></b></span>
<b>CONFERENCE: <a href="http://www.westminster.ac.uk/cream/events-and-exhibitions/ceramics-in-the-expanded-field-conference">Ceramics in the Expanded Field</a> 17-19 July 2014</b></div>
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<b><br /></b></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://4.bp.blogspot.com/-nKpKzE4oNgM/U52cPJH0S1I/AAAAAAAAAes/1L9z1eCFcjQ/s1600/ceramics+expanded+field.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://4.bp.blogspot.com/-nKpKzE4oNgM/U52cPJH0S1I/AAAAAAAAAes/1L9z1eCFcjQ/s1600/ceramics+expanded+field.JPG" height="400" width="278" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Click <a href="http://www.westminster.ac.uk/cream/events-and-exhibitions/ceramics-in-the-expanded-field-conference">here</a> for more details</td></tr>
</tbody></table>
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<b><br /></b></div>
Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.comtag:blogger.com,1999:blog-3444423392201550784.post-38549252212176786712014-05-27T18:07:00.000+01:002014-05-27T18:07:53.211+01:00Jonathan Ruffer Curatorial Grants Programme - Deadline 4 June 2014<div class="MsoNormal">
Curators<span style="font-family: inherit;"> - don't miss out!</span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<span style="font-family: inherit;">The deadline for large grant applications under the Jonathan
Ruffer Curatorial Grants programme is approaching.<o:p></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-oGYz8Ep0gcI/U4TE8Nlx6tI/AAAAAAAAAeE/mTLSXCIxE6Q/s1600/Art+fund+logo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-oGYz8Ep0gcI/U4TE8Nlx6tI/AAAAAAAAAeE/mTLSXCIxE6Q/s1600/Art+fund+logo.JPG" /></a></div>
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<span style="font-family: inherit;">The Ruffer programme provides £50,000
annually for travel and other practical costs to help curators undertake
collection and exhibition research projects.</span></div>
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<span style="font-family: inherit;"><br /></span></div>
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<span style="font-family: inherit;">Since the scheme's inception in
2012 over 100 curators and researchers have been helped to undertake projects
across Asia, Africa, America and Europe. Full details
on the programme and some of the awards already made can be found on
the ArtFund <a href="http://www.artfund.org/what-we-do/apply-for-funding/curatorial-grants-aims-and-eligibility">website</a>.<b><o:p></o:p></b></span></div>
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<span style="font-family: inherit;">Applications under £1,500 can
be accepted at any time.</span></div>
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<span style="font-family: inherit;">Applications over £1,500 are only considered
three times a year.</span></div>
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<span style="font-family: inherit;">The next deadline for large applications is on </span><b style="font-family: inherit;">Wednesday</b><span style="font-family: inherit;">
</span><b style="font-family: inherit;">4 June 2014</b></div>
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<span style="font-family: inherit;">For more information on aims and eligibility, and the other
ways the ArtFund supports curators, can be found by clicking<span style="color: #943634;"> <a href="http://www.artfund.org/what-we-do/supporting-curators">HERE</a>.</span></span><o:p></o:p></div>
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Ceramics Networkhttp://www.blogger.com/profile/09036465877125996077noreply@blogger.com